The new name was arrived at through a comprehensive exploratory and branding process in partnership with creative agency La Bang Studio. We are honored to be a part of the life of the space and serve as stewards of this community resource in its next chapter.” It builds upon the illustrious history of the building, which has had several different names over the years. “The new name for the venue speaks to the space’s role in revealing, discovering, and illuminating the work and ideas of artists in our community. “We couldn’t be more thrilled to introduce the Luminary Arts Center as a part of our North Loop home,” said Minnesota Opera President and General Director Ryan Taylor. The building is currently being renovated and is scheduled to open in September 2022, at which time Minnesota Opera plans to welcome new and returning tenants to the space, in addition to staging productions at the Luminary starting next season. Minnesota Opera announced the acquisition of the space, previously known as the Lab Theater, in February of 2019. Today, Minnesota Opera introduced the Luminary Arts Center, the new name for the venue located next door to the Minnesota Opera Center in Minneapolis’ North Loop (700 N 1 st St., Minneapolis, MN 55401). These efforts set the stage for Minnesota Opera to become what it is today – one of America’s largest opera companies, admired as an innovative creator of compelling operas, programs and new works.Formerly known as the Lab Theater, MN Opera’s newly acquired and renovated performance space will open in September 2022. Cuomo and John Patrick Shanley, 2013) and The Manchurian Candidate (Puts/Campbell, world premiere 2015). The 2007 world premiere of The Grapes of Wrath inspired the landmark New Works Initiative, which spawned the commissions of the Pulitzer Prize-winning Silent Night (Kevin Puts/Mark Campbell, 2012), Doubt (Douglas J. Minnesota Opera became a destination for audiences and artists interested in Bel Canto-period operas, and these artistic values now inform every aspect of the company’s programs, from repertoire selection and visual design to casting and artist training. In 2000, Minnesota Opera further expanded its season, advanced its production capacity and articulated an artistic vision inspired by early 19th-century Italian Bel Canto (literally “beautiful singing”) values, which emphasize intense emotional expression supported by exquisite technique. At the same time, recognition for Minnesota Opera’s progressive and far-reaching educational programs grew. The company expanded its season, increased the quality of its artistry and launched its Resident Artist Program. The two decades that followed marked a period of institutional and artistic growth. From that full production facility, Minnesota Opera created large-scale, innovative productions that built the company’s national reputation as a leading producer. Paul’s Ordway Center, still home to its mainstage season, and in 1990, opened the Minnesota Opera Center in Minneapolis, combining scenic and costume shops, rehearsal facilities and administrative offices into three renovated warehouses on the Mississippi riverfront. In 1985, Minnesota Opera became a founding tenant of St. Paul Opera in 1976, and through the 1980s, began to shift its focus to include more “traditional” repertoire. Known as a progressive, “alternative” opera production company throughout the 1970s, Minnesota Opera merged with the St. Center Opera focused on the composition and performance of new works by American composers, and, under the influence of the Walker Art Center, emphasized visual design. Minnesota Opera’s roots were planted when the Walker Art Center commissioned Dominick Argento to compose an opera (The Masque of Angels) for its performing arts program, Center Opera. Fifty years later, Minnesota Opera is one of the nation’s largest and most distinguished opera companies, known for its world-class artistry and innovative productions. In 1963, the commission of a world premiere sparked the creation of a small Twin Cities opera company spotlighting the rare and avant-garde.
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